| Sensor Type |
Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array |
| Sensor Size |
36.70 x 25.54 mm / 1.444 x 1.005" ⌀ 44.71 mm / 1.760" |
| Photosite Pitch |
8.25 μm |
| Sensor Frame Rates |
0.75 - 90 fps |
| Sensor Active Image Area (photosites) |
LF Open Gate ProRes 4.5K: 4448 x 3096 LF Open Gate ARRIRAW 4.5K: 4448 x 3096 LF 16:9 ProRes HD: 3840 x 2160 LF 16:9 ProRes 2K: 3840 x 2160 LF 16:9 ProRes UHD: 3840 x 2160 LF 16:9 ARRIRAW UHD: 3840 x 2160 LF 2.39:1 ProRes 4.5K: 4448 x 1856 LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856 |
| Sensor Active Image Area (dimensions) |
LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006" LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006" LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702" LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702" LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702" LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702" LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603" LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603" |
| Recording File Container Size (pixel) |
LF Open Gate ProRes 4.5K: 4480 x 3096 LF Open Gate ARRIRAW 4.5K: 4448 x 3096 LF 16:9 ProRes HD: 1920 x 1080 LF 16:9 ProRes 2K: 2048 x 1152 LF 16:9 ProRes UHD: 3840 x 2160 LF 16:9 ARRIRAW UHD: 3840 x 2160 LF 2.39:1 ProRes 4.5K: 4480 x 1856 LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856 |
| Recording File Image Content (pixel) |
LF Open Gate ProRes 4.5K: 4448 x 3096 LF Open Gate ARRIRAW 4.5K: 4448 x 3096 LF 16:9 ProRes HD: 1920 x 1080 LF 16:9 ProRes 2K: 2048 x 1152 LF 16:9 ProRes UHD: 3840 x 2160 LF 16:9 ARRIRAW UHD: 3840 x 2160 LF 2.39:1 ProRes 4.5K: 4448 x 1856 LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856 |
| Exposure Latitude |
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1) |
| Exposure Index |
Adjustable from EI 160-3200 in 1/3 stops EI 800 base sensitivity |
| Shutter |
Electronic shutter, 5.0°- 356° or 1s - 1/8000s |
| Recording Formats |
MXF/ARRIRAW MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 (HQ) |
| Recording Media |
Codex Compact Drives |
| Recording Frame Rates |
LF Open Gate ProRes 4.5K: 0.75 - 40 fps LF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps LF 16:9 ProRes HD: 0.75 - 90 fps LF 16:9 ProRes 2K: 0.75 - 90 fps LF 16:9 ARRIRAW UHD: 0.75 - 60 fps LF 2.39:1 ProRes 4.5K: 0.75 - 60 fps LF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps Note: maximum fps values are preliminary information |
| Recording Modes |
Standard real-time recording No Pre-recording No Intervalometer |
| Color Output |
Rec 709 Rec 2020 Log C Custom Look (ARRI Look File ALF-2) |
| Look Control |
Import of custom 3D LUT ASC CDL parameters (slope, offset, power, saturation) |
| White Balance |
Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps Color correction adjustable range from -16 to +16 CC 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values |
| Filters |
Built-in motorized ND filters 0.6, 1.2, 1.8 Fixed optical low pass, UV, IR filter |
| Image Outputs |
1x proprietary signal output for MVF-2 viewfinder 2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)uncompressed video with embedded audio and metadata |
| Lens Squeeze Factors |
1.00 1.25 1.30 1.50 1.65 1.80 2.00 |
| Exposure and Focus Tools |
False Color Zebra Zoom Aperture and Color Peaking |
| Audio Input |
1x LEMO 6pin balanced stereo line in with 12V power output (Line input max. level +24dBu correlating to 0dBFS) |
| Audio Output |
SDI (embedded) 3,5mm stereo headphone jack (on MVF-2) |
| Audio Recording |
2 channel linear PCM, 24 bit 48 kHz |
| Remote Control Options |
MVF-2 viewfinder (sold separately) can act as wired remote control with 10m/33ft cable Web-based remote control from smart phones, tablets and laptops via WiFi & Ethernet Camera Access Protocol (CAP) via Ethernet & WiFi GPIO interface for integration with custom control interfaces WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio SXU-1 hand-unit with control over one lens channel OCU-1 and Master Grip control of lens and user buttons |
| Interfaces |
1x LEMO 5pin LTC Timecode In/Out 1x LEMO 10pin Ethernet for remote control and service 1x BNC SYNC IN 1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and 24V power output 1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable 1x USB 2.0 in media bay (for user setups, look files etc) |
| Wireless Interfaces |
Built-in WiFi module (IEEE 802.11b/g) Built-in White Radio for ARRI lens and camera remote control |
| Lens Mounts |
LPL lens mount with LBUS connector PL-to-LPL adapter Leitz M mount (availbale from Leitz) |
| Flange Focal Depth |
LPL mount: 44 mm with PL-to-LPL adapter: 52 mm |
| Power Input |
1x LEMO 8pin (10.5-34 V DC) |
| Power Consumptio |
nAround 65 W when recording ProRes 4444 with MVF-2 attached (preliminary information) |
| Power Outputs |
1x Fischer 3pin 24V RS 1x LEMO 2pin 12V 1x LEMO 7pin EXT 24V power output |
| Measurements (HxWxL) |
140 x 143 x 188 mm / 5.5 x 5.6 x 7.4" (camera body with LPL lens mount) |
| Weight |
~ 2.7 kg / ~ 6.0 lbs (camera body with LPL lens mount) |
| Operating Temperature |
-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics |
| Storage Temperature |
-30° C to +70° C / -22° F to +158° F |
| Sound Level |
< 20 dB(A) at 24fps |
