| Weight and Dimensions |
Without batteries 709g / 25oz. |
| Dimensions (W x H x D mm) |
214 x 127 x 45mmmm |
| Construction |
Polycarbonate ABS |
| Mounting points |
1/4”-20 screw mount. 1x top and 1x bottom |
| Power |
| Operating power |
Polycarbonate ABS |
| Compatible batteries |
NP-F series and supporting accessories. |
| Input voltage (battery) |
6.2V to 16.8V |
| Battery time* (based on 7.4V) |
5200mAh – up to 1.5hrs (monitor & record 4K 30p) |
| 7800mAh – up to 2.2hrs (monitor & record 4K 30p) |
| DC In |
1 x DC in (6.2 - 16.8V) |
| Touchscreen |
| Screen |
Capacitive touch |
| Size |
7.2” |
| Resolution / PPI |
1920 x 1080 / 325ppi |
| Aspect ratio |
16:9 native |
| Contrast ratio |
1,000,000:1 (Zone backlight turned on) |
| ColoUr Gamut |
Up to Wide colour gamut (105% DCI-P3 |
| Look up table (LUT) |
support 3D LUT (.cube format) |
| Anamorphic de-squeeze |
2x, 1.5x, 1.33x |
| Dynamic AtomHDR Technology |
| Backlight |
Direct LED |
| Zones |
360 direct backlight individual LEDs |
| LEDs |
Wide Colour Calibrated D65 or D9 |
| Bit depth |
10-bit (8+2 FRC) |
| Colour |
DCI-P3 105% |
| Brightness |
1500nit (+/- 10%) |
| Control |
On the fly real-time brightness analysis for LED contro |
| HDR Conversion |
Log/RAW to HLG or PQ |
| HDR Monitoring Technology |
| Gamma |
| Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI |
| Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 |
| / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / |
| LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED |
| Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k |
| HLG |
| Gamut |
| Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / |
| DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa |
| Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED |
| DragonColor / DragonColor2 / RED Color2 / RED Color3 / |
| RED Color4 |
| Anamorphic de-squeeze |
2x, 1.5x, 1.33x |
| Technology |
IPS panel (capacitive touch), |
| calibration to Rec.709 with optional calibration unit |
| AtomHDR |
Yes |
| HDR Monitoring (Gamma) |
| Sony SLog / SLog2 / SLog3 |
| Canon CLog / CLog2 / Clog3 |
| ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / |
| LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / |
| LogCEI1000 / LogCEI1280 / LogCEI1600 |
| Panasonic Vlog |
| JVC JLog1 |
| RED Log3G10 / RED LogFilm |
| FujiFilm F-log |
| Nikon N-Log |
| PQ10k |
| HLG |
| HDR Monitoring (Gamut) |
| Sony SGamut / SGamut3 / SGamut3.cine |
| Canon Cinema / DCI P3 / DCI P3+ |
| Panasonic V Gamut |
| Arri Alexa Wide Gamut |
| Rec709 / BT.2020 |
| JVC |
| RED WideGamut / RED DragonColor / DragonColor2 / |
| RED Color2 / RED Color3 / RED Color4 / |
| Video Input / Loop out |
| HDMI |
HDMI 1 x HDMI (2.0) |
| SDI |
Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
| Signal |
Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Genlock |
Genlock input signal and output signal |
| Video Output (Playout) |
| HDMI |
1 x HDMI (2.0) |
| SDI |
2x 4K-SDI 12G or HD-SDI 3G/6G |
| HDMI |
Uncompressed true 10-bit or 8-bit 4:2:2 (camera dependent) |
| Supported Codecs & Frame Rates (Record & Playback) |
| Raw to: |
| ProRes RAW |
| ProRes |
| CinemaDNG |
| (CDNG up to 30p only) |
| Avid DNxHD |
| Sony^^FS700, FS-5, FS-7, FS-7MkII |
| 4K DCI; 24/25/30/50/60p |
| 4K UHD; not supported in camera |
| 2K; 24/25/30/50/60/100/120/200/240p |
| 1080; not supported in camera |
| Canon C300MKII/C500 CDNG |
| 4K DCI; 24/25/30p |
| 4K UHD; 24/25/30p |
| 2K; not supported in camera |
| 1080; not supported in camera |
| Panasonic VaricamLT, EVA1 |
| 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) |
| 4K DCI; 24/25/30/50/60p |
| 4K UHD; 24/25/30/50/60p |
| 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
| Supported base resolution & FPS from cameras |
| 4K DCI: 23.98/29.9/59.94p |
| 4K UHD: 23.98/29.9/59.94p |
| 2K DCI: 23.98/29.9/59.94p |
| 1080p: 23.98/29.9/59.94p |
| Supported FPS & resolution from gaming consoles and graphic cards |
| 1080p; 24/25/30/50/60/100/120 |
| Onboard Processing |
| Pulldown removal |
24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2pulldown) |
| 4K UHD downscale for HD monitoring |
Yes - Loop-out and playback (Not available in RAW) |
| Audio Out |
| HDMI |
2 or 8ch 24-bit, camera dependent |
| SDI |
12ch 48kHz 24-bit |
| Audio |
2ch balanced XLR analogue in/out |
| Dynamic range >90dB |
| Max signal level +24dBu |
| Max analogue gain +52dB |
| 48V Phantom Power for Mic |
| Remote Start/Stop |
| HDMI |
Auto HDMI Trigger |
| Supported Protocols – Dolby Vision, Canon, Sony, Atomos |
| Open Standard |
| SDI |
SDI trigger camera selectable |
| Other |
LANC control - Slave |
| Playback |
| Playlist / Genlock / LTC |
Yes / Yes / Yes |
| CDNG (Recorded content) |
No support |
| ProRes (Recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps |
| DNxHR / DNxHD (recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps |
| Recording |
| Pre-roll record |
Yes (HD 8s, 4K 2s) |
| Custom time lapse |
Yes |
| Meta data tagging |
Yes (10 tags available) |
| Supported media |
2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case |
Master Caddy II (included) |
| Master caddy dock |
75mm x 105mm x 12mm |
| Supported applications |
2.5” SATA to USB 2.0/3.0 |
